Nikon D6 Announcement

Nikon D6

The Nikon D6 announcement dropped today is probably more frustrating than informative. With the 2020 Olympics around the corner, most photographers and people that track the camera industry fully expect Nikon, Canon, and Sony to release new flagship cameras aimed at professional sports photographers.

The rumor mill is buzzing with speculation on Sony’s A9 update. The Canon 1Dx replacement has a decent bit of chatter surrounding it too. So, thanks Nikon for confirming what everyone fully expected–you’re developing a D6.

I suppose it could confirm that Nikon’s next flagship camera will in fact be a DSLR, not a mirrorless body. The announcement also highlights that this is the Nikon D series 20th anniversary since the D1 came out in 1999. The announcement also provides information on a 120-300 f2.8 lens and highlights the upcoming 60th anniversary of Nikon’s F-mount.

I’m also perplexed by the lens announcement–does anyone really need a 120-300 f2.8 lens? Is there a huge market for that zoom range? Maybe there is, but I’m not so sure.

How much will the D6 improve on the D5? No idea. Why? Because there are no specifics in Nikon’s announcement at all. I suppose we’ll have to stay tuned.

Read the Nikon D6 Announcement:

NIKON IS DEVELOPING THE D6 DIGITAL SLR CAMERA AND THE AF-S NIKKOR 120-300MM F/2.8E FL ED SR VR TELEPHOTO ZOOM LENS

MELVILLE, NY (September 4, 2019 at 12:01 A.M. EDT) – Nikon Inc. is pleased to announce the development of the Nikon D6 professional DSLR camera and the AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR telephoto zoom lens.


Nikon released the D1 digital SLR camera in 1999, making 2019 the 20th anniversary of the single-digit D series. Thanks to the imaging know-how cultivated over Nikon’s long history in camera development, Nikon’s professional DSLR cameras have continued to evolve by introducing some of the industry’s most advanced technologies and responding to the strict demands of professional photographers with the ultimate in performance and reliability, even in the most severe conditions. With the D6, Nikon is currently developing its most advanced DSLR to date.


This year also marks the 60th anniversary of the Nikon F mount. The new AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR F mount lens that Nikon is developing will provide professional photographers in fields such as sports photography with even greater support.


Nikon is striving to expand possibilities for imaging expression and leading the way in imaging culture with both DSLR and mirrorless camera systems, as well as a rich lineup of NIKKOR lenses.


Details including release dates, pricing and specifications for these products will be announced at a later date. For more information on the latest Nikon products, please visit www.nikonusa.com.

Nikon USA

Why I’m Going to Buy a Sony A7R4

Sony Alpha A7RIV Mirrorless Camera

I had and sold the A7R and A7R2, so why the A7R4?

About a minute after the announcement, I decided to buy the Sony A7R4. I sold my Sony A7R2 earlier this year and it didn’t take long for me to miss it. Why did I sell it? Because I didn’t think I needed it. I have a pretty decent pile of cameras and in the brand stack, Sony was my least invested system.

However…

As I said, it didn’t take long for me to miss it. I often carried my A7R2 with the superb Sony Zeiss 35mm F2.8 lens attached. The compact form factor of this body and lens combination made it easy to throw in a bag and take just about anywhere. And that’s what I did. I just threw it in a backpack or whatever bag I carried and went. Or, I slung it over a shoulder with a Peak Design strap. Since the A7R2 didn’t have the new, longer-life batteries, I often carried a spare battery or two as well.

I photographed my family, motorcycle racing, dogs, travel, my brother’s wedding, and just about anything that happened in front of that compact little kit. So, again, why sell it? Because I have two Nikon D850s and a full stable of Nikon lenses, 14-500mm, and I felt an urge to pare down my gear. Plus, I have a nice Leica setup that I really enjoy. So, a third system felt like overkill.

Sadly, none of those other cameras quite measure up to the overall portability and capability of the Sony A7R2 and Sony Zeiss 35mm combination. The gripped D850s and lenses are colossal by comparison. They’re magnificent and I love working with them, but not for roaming around and carrying “just in case” cameras. The Leica M10-P, 35mm film MP, and my Summilux and Summicron lenses are also stellar kit when I want to slow down a bit. However, the simplicity and versatility of the A7R2/35mm combo was just too great to have. I overcame my temptation to buy an A7R3 because I had a hunch that Sony, embroiled in the recent mirrorless arms race since Canon and Nikon released direct competitors to the A7 line, would release something new.

The A7R4 Was A Surprise

I did not expect the A7R4 so soon. The 61MP A7R4 surprised me, pleasantly. The improvements, from what I’ve read and seen in early reviewers are great. I’m pretty stoked about the locking exposure compensation dial. It was one of my quibbles with the previous bodies. I often bumped that dial and occasionally missed some shots–or at least had to rescue some in post processing. It’s a testament to the quality of the raw files that I was able to same some that had been underexposed three stops.

Sony Face and Eye Detection Auto Focus & Real Time Tracking Are Enough to Buy a Sony A7R4

Sony’s eye detection is a killer feature. Both Canon and Nikon introduced similar technology, but Sony is still the leader on this front. Shooting candids is a completely new experience when you have an extremely reliable eye focus capability that is fast and accurate. Photographing kids, friends, street photography, etc., all get much easier. The feature removes another delay in getting that shot. I’ve gotten some great family photos that were hail-mary-point-and-shoot-just-to-see-what-you-get efforts and they worked because of eye detection autofocus.

I’m curious to try out animal eye detection. Depending on its reliability, it should be great for photographing pets. Accurate eye detection combined with a very fast autofocus system is enough for me to buy an A7R4.

The enhanced grip, button feel, and other ergonomic features are also a great selling point.

I’ll post real world review of the system in use later in the year.

My Preferred Sony A7R4 Kit

When I buy the Sony A7R4, here’s what my Preferred Sony A7R4 kit will look like:

The lens that would be on the body 90% of the time would be the superb Sony Zeiss Sonnar 35mm F2.8.

CP+ Scoop

CP+ Logo

AS CP+ is underway in Japan, scoops, rumors, and product teases are everywhere. Here’s a brief summary of what’s getting attention:

Source: DC Watch. Canon Kids Camera at CP+

Canon Rumors reports on Canon’s concept cameras on display at the show. Everything from action cameras to brightly colored kids cameras is on display (sourced from Japanese site DCWatch).

Nikon Rumors reports on a new Nikon Z camera coming for the consumer market. Additionally, Nikon demonstrated improved eye autofocus coming in a future firmware upgrade for Nikon Z cameras. Check the video below.

Nikon eye autofocus demo

Also on display: New Nikon lenses and Techart showed off the new TZE Nikon Z-mount to Sony E-mount adapter.

Meanwhile, News Shooter published more info on the Nikon Z 58mm F/0.95 S Noct lens. See the video below for more info.

Finally, in the L-mount arena, check out this video about the Leica, Sigma, Panasonic partnership:

Sigma Announces Eleven L-Mount Lenses and Mount Converter MC-21

Sigma 35mm f1.4 Art

This article may contain affiliate links.

Sigma Product Photo of MC-21 L-Mount Converter

Sigma announced the launch of the Art series lenses in full-frame L-mount. The announcement specifies eleven prime lenses from 14mm to 135mm in focal length. All of the lenses are currently available for other systems. In addition to the lenses, Sigma announced the MC-21 mount converter. The converter allows Sigma SA mount and Sigma’s Canon EF mount compatible lenses to fit L-mount cameras and is similar in design to Sigma’s MC-11. The L-mount is a mount produced in partnership between Sigma, Panasonic, and Leica.

Sigma Offers a Lens Mount Conversion Service

Sigma’s announcement also includes discussion of Sigma’s Mount Conversion Service. The service modifies Sigma mount lenses to other camera mounts.

The lenses in the announcement are (links to currently available versions):

Read the press release for the lenses here and for the press release for the MC-21 here.